2022
Feel free to scroll down and explore
Alexandra Limpert, Relic, 2001. steel.
Larry Lee Webb, Mariupol, 2022. oil on linen.
Jacques Roch, Strawberry, 2011. acrylic on canvas.
Paulien Ethen, Untitled. acrylic on Japanese mulberry paper.
Alexandra Limpert, Mechanical, 2002. steel, motor.
Susan Daboli. Teapot, 2021. archival digital print. edition 1/20.
Alexandra Limpert, Swing, 2016. steel and brass.
Dindga McCannon, Maybe if the mothers of the world would unite, we could all live in peace, 2021. mural.
Ed Benavente, Starting From Scratch. cement, stainless steel, paint.
Ed Benavente, Sea Change. painted steel.
Lori Merhige, Untitled, 2021. foam fiberglass, reinforced gypsum.
Virginia Piazza, 3-sided Raku pot, porcelain.
Margot Kingon, Drag. wood, latex, acrylic and photo.
Anna West, Dusk with Fireflies. oil, on wood.
Michael Bogdanffy-Krieg, Flattened Cans Grid #8. archival print.
Sascha Mallon, Air. porcelain, glazed, found glass.
Maat Kinney, March 2022. wood, paint.
Margot Kingon, Tidal Wave. wood, latex, acrylic and photo.
Sandra Belitza-Vasquez, Come On In, photograph.
Virginia Piazza, Ewer, porcelain.
Flying Root 1, 2017 Red soil, paper pulp, wood glue, cow horns and wood.
The Glider,2021, soil,charcoal, paper pulp,wood glue, charcoal ink, wood, gourd, shell and brass beads.
Detail, The Glider
She Walks, 2019, red soil, charcoal, paper pulp, wood, wood glue, steel nails,and synthetic hair.
Creaturas, 2018
Detail - Creaturas, Cowery Shells
In Two Canoe, 2022, Bronze.
Crocodylus, 2020, Bronze
Shavasana 1, 2019, Bronze Edition of 3
One Cut, 2018, Bronze
Grounds of the Meadow and Second Floor of the Museum Building
David Smith, The Iron Woman, 1954-58.
David Smith, Raven V, 1959.
Lynda Benglis, North, South, East, West, 1988,2009, 2014-15.
Some of the beautiful land
Ursula von Rydingsvard, Luba, 2009-10.
Farm to Table: Outside HCC
Partial view of the Gallery
Ron Hershey, Peppers. silver halide print.
Lana Privitera, Getting Ready. watercolor.
Top left: Renelle Lorray, Baby Lettuce. photograph: Bottom left: Karen E. Gersch, Sourdough. acrylic & torn paper collage; Right: Debbie Mueller, Bread and Brie. oil on canvas.
Barbara Masterson, Andrew, The First Chosen. oil on canvas.
Amanda E. Gross, Rooster. acrylic painting on vinyl.
Lana Privitera, Winter Comforts. watercolor.
Gabrielle A. Dearborn, Farmhouse Kitchen. mixed media.
Karen E. Gersch, His Flock. acrylic on wood.
Martha Belardo (Hudson Valley Fiber Arts), Radish, Peas, Cherry Tomatoes, Carrot. wool.
Rick Rogers, The Late Great Family Farms. latex paint on panel.
Marlene Wiedenbaum, Red Pear on Lace. pastel.
Barbara Masterson, Mr. Nixon Pickin' Cherries. Wolff pencil on illustration board.
Marlene Wiedenbaum, Cut Up Grapefruit. pastel.
Barbara Masterson, Throwing Hay. oil on canvas.
Barbara Masterson, Stoop Work. oil on canvas.
Gallery Director Diana Mangaser with Christin Ripley's "PLINTH," 2021, hand-marbled cotton canvas, hand-dyed piping, solid foam; and John Delk's Lamp, 2019, found metal armature, copper wire, recycled paper and light hardware.
Ian McMahon (IMA), "Standing Light," 2022. Shrink wrap, steel, & light hardware.
Kim Markel, "glow chairs," 2016. Composite from recycled resins.
John Delk, Lamp, 2020. Found metal armature, copper wire, compostable bag, & light hardware.
Yoshihiro Sergei, "Wave," 2018. Hand-carved and digitally-carved quartersawn walnut/oak salvaged in NY.
Foreground: Christin Ripley, "WAVELENGTH," 2019. Hand-marbled cotton canvas, hand-dyed piping, solid foam; background: John Delk, Lamp, 2018. Found metal armature, metal solder, paper, and candle.
Kim Markel, "glow stool / table," 2017. Composite from recycled resins.
The Third Room (Jason Robert Bauer), Corner Light, 2022. Glass, wood, and light hardware.
Andrew Murphy / Eliot Meier, "Standing Desk," 2022. Hand-waxed cherry.
Foreground: Sean McClelland, T1 "occasional" Chair, 2021. Salt & pepper boucle, sage green corduroy, ebonized oak, and brass hardware; background: Christin Ripley, "SPIRAL BEAN BAG CHAIR," 2021. Hand-dyed cotton canvas, piping, and bean bag pellets.
Ian McMahon (IMA), "End Table," 2022. Concrete and steel.
Ian McMahon (IMA), "Light Drawing," 2022. Shrink wrap, wood, and light hardware.
Ian McMahon (IMA), Coffee table, 2022. Concrete and steel.
Chen Zhen, Traitment Musical/Vibratoire, 1997, Wood, iron, beds, leather, rope.
Jeffrey Gibson, Someone Great is Gone, 2013. Elk hide, acrylic, paint, graphite, colored pencil.
Moffat Takadiwa, The Chief Justice (3), 2018. Computer keys.
Sven Kroner, Light Pollution, 2006. Acrylic on canvas.
Paolo Nazareth, CA-produtos de genocidio: Uncle Ben y Aunt Jemima, 2017. Resin, various objects, wood.
Daniel Pitin, The Old Swimming Baths, 2009. Oil and acrylic on canvas.
Marie Watt, Skywalker/Skyscraper, 2021. Reclaimed wool blankets, steel I-beam, cedar.
Janine Antoni, Cradle. Steel.
Cradle (rear).
Waldemar Zimbelmann, Untitled, 2013. Acrylic on canvas.
Nyugen Smith, Bundlehouse: Rising into Something Else Again, 2013. Mixed media and collage and found objects on paper.
Josef Bolf, Classroom, 2009. Oil paint, wax and ink on canvas.
Itala Scanga, Monte Cassino: The Broken Statues, 1984. Oil on wood.
Adrian Villar Roja, The Theater of Disappearance (1 of 12 series) 2017.
The Theater of Disappearance (rear and side view with Karen and Mara).
The Theater of Disappearance (detail).
Sargeant Johnson, Mask, ca. 1930–1935, copper on wood base.
William H. Johnson, Sowing, ca. 1940, oil on burlap.
Beauford Delaney, Can Fire in the Park, 1946, oil on canvas.
Felrath Hines, Red Stripe with Green Background, 1986, oil on linen.
Melvin Edwards, Tambo, 1993, welded steel.
Loïs Mailou Jones, Moon Masque, 1971, oil and collage on canvas.
Palmer Hayden, The Janitor Who Paints, ca. 1930, oil on canvas.
Whitfield Lovell, Echo 1, 1996, mixed media on wood.
Purvis Young, Untitled, ca. 1988, acrylic on plywood with fiberboard.
Norman Lewis, Evening Rendezvous, 1962, oil on linen.
Charles Searles, Celebration, 1975, acrylic on canvas.