2021
Feel free to scroll down and explore
Gary Arceri: Man With White Hat
Gary Arceri: (Left to Right) Man In A Blue Hat and Man In A Red Room
Gary Arceri: Rahanna and a portrais
Pottery Ceramics Display
Ellen Hayden: Tribute to Paul Klee
Ellen Hayden: (Left to Right) 4 Fish and Australian Fish with assorted pottery
Ellen Hayden: Fish Form
My love with Gary Arceri's (Left to Right) Man in a Blue Hat, Man in a Red Room, Rahanna and 4th portrait
ADS Gallery
Newburgh, NY - November
HOPE Solo Exhibition of Charles Dudley
HOPE SHOW at ADS Gallery
Entry Wall
Untitled (Peacocks), 2007, 2021
Untitled (Peacocks) Detail, 2007, 2021
Honoring Indigenous People
Lord Why Come Me Here, 2021
Lord Why Come Me Here (Detail2), 2021
Honoring My Ancestors
I Live in This, 2021
Rising from the Ashes
Jewel in the Crown, 1997, 2021
Me with Charles Dudley in front of Honoring Indigenous People
Beacon, NY - October
Traveling Folk: Worlds Explored - Curated by Karen E. Gersch
Interior view of Howland Cultural Center
Karen E. Gersch, Serenade to Solitude (Homage to 100 Years of Solitude)
Viorel Florescu, Afghan Girls, 2001 (color photograph)
Marlene Wiedenbaum, The New York Artist (pastel)
Ruth Geneslaw, The New Normal, (carved wood figures)
Karen E. Gersh, Novara Crest, Lake District
Marlene Wiedenbam, Ladies of Bournemouth (pastel)
Ron Hershey, Young Girls outside Templo de Santa Maria Tonantzintla, near Cholula, Mexico
Trisha Wright, Village Chief, (silver gelatin print)
Glen Datres, Autumn Reflections
Interior view of balcony and first floor of Howland Cultural Center
Karen E. Gersch, Point of Impact, 2021 (acrylic on canvas)
Naomie Berkery, Worthy, 2021 (mixed media)
Karen E. Gersch, she was sleeping, he went running, an orphaned violin, 2020 (acrylic on canvas)
Stevenson Estime, Protest, 2021 (top) and All American 1, 2021 (bottom) (both - digital collages)
Khalidah Carrington, (from left to right) Fugitive, Sun Bathe, and Good Afternoon, 2020 (all digital illustrations)
Yvonne Lamar-Rogers, Gifts From Her Garden and When Mom Came to Visit, both 2021 (both mixed media collage)
Audrey Anastasi, (top) Man with No Eyes, 2019 (oil on panel) and (bottom) World of Pain, 2020 (charcoal, acrylic and mixed media collage)
Charles Dudley, both Untitled, 2021 (mixed media)
Auguster Willams, Jr., The Source, 2021 (mixed media)
Ellen Alt & Lawrence Conley, BLM - Pursuing Justice, 2020 (digital print poster)
Auguster Williams, Jr. with his work The Compass, 2020 (mixed media)
UAP - Polich Tallix Fine Art Foundry
Rock Tavern, NY - September
Outside of Entrance
Free form sculptures next to the parking lot
Free form sculptures next to the parking lot
Sculptor Sanford Biggers with his Oracle, Rockefeller Center, 2021
Oracle, Rockefeller Center, 2021
Oracle outside of the Foundry
Oracle, side view
Freeform sculptures across the street from the foundry
Sculpture 1
Sculpture 2
Sculpture 3
Sculpture 4 & 5
Dana-Marie Bullock, The Price of Social Justice, 2020 (acrylic, oil pastel and paper on canvas)
Jeffrey Melo, Behind The Walls, Lies The Foundation, 2021 (oil on canvas)
I.M. enjoying Black Joy 2, 2021 by Brandan "BMike" Odums (acrylic and spray paint on canvas)
Diva Deviser Ashley Antonia Lopez taking in The Chair, 2021 by Robert Peterson (oil on board)
Amani Lewis, Mr. Star City, 2021 (acrylic, pastel, glitter, screenprint and digital collage on canvas)
Philip A. Robinson, Jr., Old Talks with New Icons: I'm not a Businessman, I'm a Business, Man!, 2020 (walnut, cherry, spotted maple, oak, mirror finish, stainless steel, basswood frame)
Cory Ford, Mood 2 (Life Is But A Beach Chair), 2021 (acrylic and paper on canvas)
Joshua Griffin, Miss Mary Mack, 2021 (oil on canvas)
Harold D. Smith, Jr., Visible Man IV, 2019 (mixed media: acrylic, epoxy, spray paint on canvas)
Visible Man IV Detail
Ronnie Rob, 3 Loves, 2020 (oil on canvas)
Los Angeles CA - June
Cathy Cooper: "Dramatis Personae" (2018 - unless noted)
In front of the museum
From left to right: Dramatis Personae - Blue Gold (spandex, neoprene); Dramatis Personae - Blue (wool, poly stuffing, upholstery fabric); Dramatis Personae - Green (hand-dyed burlap, neoprene); CANGUE - 2017 (neoprene, linen, worblas, beeswax, nylon, acrylic paint); Dramatis Personae - Burgundy (upholstery fabric, neoprene, acrylic paint); Dramatis Personae - Purple (polymesh, neoprene, beeswax); Dramatis Personae - Orange (super suede, acrylic paint)
"Making TIME"
In background (left) Final Notice by Timothy Washington; in foreground (right) cardboard sculpture by Ann Weber
Betye Saar, Waiting to Serve, 1999 (mixed media assemblage)
Betye Saar, 7 of Watermelon (Banjo), 2011 (mixed media assemblage)
Betye Saar, Detail of 7 of Watermelon (Banjo)
Timothy Washington, Black Lives Matter, 2019 (mixed media on canvas)
Gronk, Faces, 2020 (acrylic paint, oil stick, wood panel)
Beatriz Cortez, The Argonaut, after Pakal, 2018 (steel, lacquer and marker)
"Tomoshibi Glassworks” by Kazuki Takizawa
Blue Bird, 2020 (glass, wood)
Left to Right: Guardian I, 2017 (blown glass, stainless steel), Guardian III, Shingles, 2020 (blown glass, stainless steel), Guardian II, TUX, 2019 (blown glass, stainless steel)
Stopper-Driven, 2020 (blown glass, water, paper, acrylic paint)
Ann Street Gallery sign
In the entrance ceiling, Elena Ailes, want is a thing with feathers I, 2016, macaw parrot feathers, cork, paint
In foreground, Kevin Zhu, What Killed Harry Houdini?, 2018, plywood, acrylic, hardware
CGFNY Detail - "Spring and Summer"
CGFNY Detail - "Fall"
CGFNY Detail - Winter - of Surface Trend, Fake Fashion III, New Fashion II
View 1: Nolan Oswald Dennis, options, 2018, chalk on black wall, dimensions variable
View 2: Nolan Oswald Dennis, options, 2018, chalk on black wall, dimensions variable
Laurel Schwulst, Flight Simulator, 2019, app for smartphone, smartphones, glass cups, dimensions variable